Archival Storytelling: A Filmmaker's Guide to Finding, Using, and Licensing Third-Party Visuals and Music

Archival Storytelling: A Filmmaker's Guide to Finding, Using, and Licensing Third-Party Visuals and Music

Sheila Curran Bernard

Archival Storytelling is a necessary, pragmatic consultant to at least one of the main not easy matters dealing with filmmakers this day: using pictures and track that belong to another person. the place do manufacturers opt for reasonable stills and photographs? How do filmmakers overview the historic price of archival fabrics? What do verite' manufacturers want to know whilst documenting an international choked with rights-protected photos and sounds? How do filmmakers guard their very own artistic efforts from infringement?

Filled with recommendation and perception from filmmakers, archivists, movie researchers, song supervisors, highbrow estate specialists, coverage executives and others, Archival Storytelling defines key terms-copyright, reasonable use, public area, orphan works and more-and demanding situations filmmakers to turn into not just archival clients but additionally archival and copyright activists, making sure their ongoing skill as creators to attract at the cultural fabrics that encompass them.

Features conversations with leaders together with Patricia Aufderheide, Hubert most sensible, Peter Jaszi, Jan Krawitz, Lawrence Lessig, Stanley Nelson, Rick Prelinger, Geoffrey C. Ward and lots of others.

Additional compliment for Archival Storytelling:
"I've been making historic documentaries for a few years, but I discovered new issues from this publication. this is often the definitive consultant for archival study for documentary filmmakers. a useful resource." -Mark Jonathan Harris, unique Professor, tuition of Cinematic Arts, college of Southern California, and writer/director, The good distance Home and Into the hands of Strangers

"One of the best-and so much needed-[books] i've got visible in a while..The problem is to maintain what's a pretty technical point of filmmaking fascinating with out compromising the standard and intensity of data. The authors have performed a very good activity during this regard by means of the cautious interweaving of interviews with researchers, filmmakers and criminal specialists throughout the authentic material.There is the powerful experience of being within the presence of skilled filmmakers and researchers who settle for that whereas there are ordinary practices, archival use and highbrow estate legislation and so forth. are contingent fields within which every one case needs to be assessed and handled on its merits." -Bruce Sheridan, Chair, movie & Video division, Columbia College

"It's tough to visualize a extra geared up, entire dissection of Byzantine fabric. The authors have produced a big consultant for all who use archival assets. better of all, due to their attempt, i think extra members can be capable of entry and correctly make the most of such fabric. This publication will serve filmmakers and, in flip, the general public for years to come." -Thomas Speicher, manufacturer, Pennsylvania collage of Technology

"Not easily a 'how-to' guide, it's also a dialogue of rules, concerns and heritage that creates an stress-free textual content even if the subject material turns into complicated.The actual international examples, the roundtable discussions, and the exploration of principles and concerns surrounding the technical features are very welcome and good done." -Dustin Ogdin, Filmmaker, Spoke electronic Films

"The booklet thoroughly advances the inspiration that 'films matter,' yet this can be countered through discussants with 'films fee cash too.' Filmmakers may perhaps take many years to recoup, and licensing is helping. it is an ongoing volley, the bankruptcy engenders a highway map throughout the cut up, the strain makes a very good read...This authorative publication belongs on each producer's shelf." -Loren S. Miller, Freelance Documentary and Dramatic Editor, Emerson university


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