Cinema and Experience: Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno (Weimar and Now: German Cultural Criticism)
With a second-order tactility. In One-Way road, this can be so much strikingly the case in “This house for hire” (SW 1:476; actually “these surfaces [Flächen] for rent”), a quick piece that anticipates key issues of the paintings essay. rather than artwork and technological reproducibility, the phrases of competition are feedback (Kritik) and commercial (Reklame); the latter is, in Benjamin’s phrases, “today the main genuine, mercantile gaze into the center of things.” whereas feedback was outlined via a.
specific his reflections at the radio and gramophone. within the 1938 textual content “Music in Radio,” he echoes Kracauer’s essay at the mass decoration, saying “that there's in precept no means out of mechanical replica and that any revolutionary developments can purely be learned by way of going all over it [durch sie hindurch].”27 In the same vein, he and Eisler argue in Composing for the flicks that “technology as such [should no longer] be held answerable for the barbarism of the cultural industry.” As they.
Dissociation of rhythm from metrical time. Initiated through romanticism, particularly Schubert, it was once driven additional, in several methods, through Mahler, Berg, Bartok, and Stravinsky and radicalized by way of modern experimental song. This dissociation entailed either a better independence of rhythm from chronometric constructions and a change of its position and caliber. on the grounds that Adorno takes the old differentiation of musical fabrics to be irreversible, he degrees the cost of regression opposed to.
81–103, 212, 342n15; actor, 96–97, 175–76, 185, 198, 312n5; Adorno critique, 83–84, ninety six, ninety nine, 141, 161, 165–66, 195–99, 207–8, 215, 219, 221, 233–35, 240–41, 311n66, 332n13; “anthropological materialism,” seventy eight, 123, 133, 141–42, 178–79, 191; air of secrecy, 92–93, 103, 104–5, 109, 111, 112–17, 127, 183, 196, 207–8, 221, 233, 316n38; Blue Flower within the land of expertise, xv, 174, one hundred seventy five, 229, 343n20; Caillois and, 337n23; distance, one hundred fifteen; distraction, 86–87, ninety one, ninety five, 100–103, 311n75; event, seventy eight, eighty one, 103, 173;.
workforce that among 1923 and 1926 released the magazine G: fabric zur elementaren Gestaltung (material for uncomplicated shaping, forming, or construction), based by means of Hans Richter and edited via Werner Graeff. This staff integrated, between others, architects Ludwig Mies van der Rohe and Ludwig Hilberseimer; filmmaker Viking Eggeling; overseas constructivists akin to El Lissitzky, Naum Gabo, and Theo van Doesburg (founder of de Stijl); former or overdue dadaists similar to Raoul Hausmann, Hans Arp, and.