Elliott Carter: A Guide to Research (Routledge Music Bibliographies)
John F. Link
this can be a accomplished advisor to analyze at the American composer Elliott Carter (b. 1908), largely said as one of many maximum composers of the 20 th century. It features a chronology, whole checklist of works, designated discography, and entirely annotated bibliography of over 1,000 books, articles, interviews, video recordings, and Carter's personal writings. This crucial reference ebook covers the main major works in English, French, German, and Italian, from the 1940s-when Carter's tune first started to allure attention-to the Nineteen Nineties.
(item 201); Musicians strive against in all places (item 231) inform Me the place Is Fancy Bred? 341. Columbia MC 6 (12 Mono 12” seventy eight rpm) (1938) [unidentified] (alto), [unidentified] (gui) From the Orson Welles Mercury Theatre construction of William Shakespeare’s The service provider of Venice 342. Turnabout television 34727 (Stereo lp) (1978) twentieth Century tune for Voice and Guitar Rosalind Rees (sop), David Starobin (gui) Recorded 1976, American Academy of Arts and Letters 3:24 Notes by way of William Bland With William Schuman:.
John Barcellona (fl), Peter Christ (ob), David Atkins (cl), Joseph Meyer (hn), David Muller (bn) Recorded may possibly 1992 and January 1993, Lincoln Theatre, Mount Vernon, WA 8:00 Notes by way of David Muller With William Bergsma: Concerto for Wind Quintet; George Rochberg: Into the darkish wooden; John Biggs: Scherzo for Wind Quintet; Anthony Plog: Animal Ditties for Speaker and Wind Quintet; Gunther Schuller: Suite for Wind Quintet; William Schuman: Dances for Woodwind Quintet and Percussion 397. Summit DCD 149.
Un’amicizia con Ives”), trans. Elena Racca Bruno, in CARTER, 224–34. Italian translation (“Documenti di un’amicizia con Ives”) in EC, 631–48. this text comprises excerpts of a dozen or so letters among Carter and Charles Ives and/or his spouse, concord, written among nearly 1926 and 1954, attached via Carter’s 1975 remark. the 1st is Ives’s letter of advice for Carter’s software to Harvard, and the final is a reaction from Mrs. Ives to Carter’s letter of condolence.
Talks given through Carter and Vladimir Ussachevsky, who have been the visitor audio system on the annual Composers’ Luncheon hung on 17 June 1960 through the American Symphony 182 ELLIOTT CARTER Orchestra League nationwide conference in St. Louis. based on Bernard (CEL, p. 343), Carter’s speak used to be initially entitled “The problem of digital Music.” It was once later meant for book in Hi-Fi/Stereo assessment yet used to be deserted in 1962 due to editorial modifications among Carter and his editor. The.