George Santayana's Marginalia: A Critical Selection, Volume 2: McCord-Zeller
quantity 2. Retail caliber PDF.
In his essay "Imagination," George Santayana writes, "There are books during which the footnotes, or the reviews scrawled through a few reader's hand within the margins, could be extra attention-grabbing than the text." Santayana himself was once an inveterate maker of notes within the margins of his books, writing (although well, by no means scrawling) reviews that remove darkness from, contest, or apparently extend the author's notion. those volumes supply a range of Santayana's marginalia, transcribed from books in his own library. those notes provide the reader an strange point of view on Santayana's lifestyles and paintings. he's via turns serious (often), approving (seldom), literary, slangy, frivolous, or even spiteful. The notes convey his humor, his occasional outcry at a writer's folly, his challenge for the niceties of English prose and the putting of Greek accessory marks.
These volumes record alphabetically by way of writer the entire books extant that belonged to Santayana, reproducing a variety of his annotations meant to be of use to the reader or pupil of Santayana's idea, his paintings, and his existence. every one access contains a headnote with the author's identify, the name of the paintings, short ebook details, and the library place of the publication. now not all marginalia from a given textual content is integrated; the notes were chosen for content material and style.
Santayana, usually residing in solitude, spent loads of his time chatting with, and conversing again to, a superb miscellany of writers, from Spinoza to Kant to J. S. Mill to Bertrand Russell. those notes record these conversations.
2:74 George Santayana’s Marginalia Munitz isn't really as lucid as ordinary. Pre-occupation is obstacle, profession might be expression & mastery. 21 p ninety eight, underlined and marked Z the right kind functionality of spirit, in passing past stable and evil, is “to see things like are available its manner below the shape of eternity, of their intrinsic personality and relative price, in a note, of their truth.”1 this isn't a good account. Why no longer quote the textual content as within the L. of R.? as the textual content the following w’d damage his.
Castelnau, Jacques Thomas de Cavalcanti, Guido Céline, Louis-Ferdinand Chapman, John Jay Chaucer, Geoffrey Chénier, André Marie Churchill, Winston Clemens, Cyril Clifford, William Kingdon Coates, Adrian Cole, G[eorge] D[ouglas] H[oward] Coleridge, Samuel Taylor Collingwood, R[obin] G[eorge] Collis, John Stewart Colony, Horatio Confucius Corneille, Pierre Corwin, Norman Lewis Cramb, J[ohn] A[dam] Crisógono de Jesús Sacramentado List of Authors Croce, Benedetto Crosfield, Thomas Cuneo, Niccolò.
Writes that the hereditary aristocrat is divorced from his historic authenticity; he can't be to any extent further, he can purely characterize what he's presumed to be.|| No; this is often natural sophistry. The inheritor has a beautiful position of his personal in his global. 22 p 133 El resultado es esa específica bobería de las viejas noblezas, que no se parece a nada y que, en rigor, nadie ha descrito todavía en su interno y trágico mecanismo— […] su irremediable degeneración.1 No conoce V. Inglaterra2 1 the result's that express.
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by means of standard phases to the belief of fine. No? 7 p lxxxix the passion of the pursuit has abated; there's extra department of labour and no more of accomplished mirrored image upon nature and human lifestyles as a complete; […]. i.e. much less philosophy. eight p lxxxix The thinker nowa days is person who fixes his brain at the legislation of nature of their series and connexion, and in addition on their foundation ^ and justification. now not on fragments or photographs of nature i.e. no longer on ^ specific sciences or fragments of historical past.