Interrupting Derrida (Warwick Studies in European Philosophy)

Interrupting Derrida (Warwick Studies in European Philosophy)

Geoffrey Bennington

One of the main major modern thinkers in continental philosophy, Jacques Derrida’s paintings keeps to draw heated remark between philosophers, literary critics, social and cultural theorists, architects and artists. This significant new paintings via international well known Derrida pupil and translator, Geoffrey Bennington, provides incisive new readings of either Derrida and interpretations of his work.

Part one units out Derrida’s paintings as a complete and examines its relevance to, and ‘interruption’ of, the conventional domain names of ethics, politics and literature. the second one a part of the publication offers compelling insights into a few vital motifs in Derrida’s paintings, similar to demise, friendship, psychoanalysis, time and endings. the ultimate part introduces trenchant value determinations of alternative influential bills of Derrida’s paintings.

This influential and unique contribution to the literature on Derrida is marked by way of a dedication to readability and accuracy, but additionally through a refusal to simplify Derrida’s frequently tricky thought.

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