Ka: Stories of the Mind and Gods of India
"A giddy invasion of stories--brilliant, enigmatic, troubling, outrageous, erotic, beautiful." --The ny occasions booklet Review
"So remarkable that you just cannot examine it anymore--and you cannot examine the rest. . . . not anyone will learn it with out reward."
--The Boston Globe
With a similar narrative fecundity and innovative sympathy he delivered to his acclaimed retelling of the Greek myths, Roberto Calasso plunges Western readers into the brain of old India. He starts off with a secret: Why is crucial god within the Rg Veda, the oldest of India's sacred texts, identified by means of a mystery name--"Ka," or Who?
What ensues isn't really an evidence, yet an unveiling. listed below are the tales of the production of brain and topic; of the starting place of demise, of the 1st sexual union and the 1st parricide. We study why Siva needs to hold his father's cranium, why snakes have forked tongues, and why, as a part of a definite sacrifice, the king's spouse needs to copulate with a lifeless horse. A travel de strength of scholarship and seduction, Ka is impossible to resist.
"Passage[s] of such ecstatic perception and cross-cultural synthesis--simply, of such beauty." --The long island evaluate of Books
"All is spectacle and pleasure, and tiny mirrors reflecting human foibles are set into the weave,turning this retelling into the stuff of literature." --The New Yorker
web page, this web page writer Brahmā, this web page Cyavana A ṛṣi of the BhṚgu extended family, this page–this web page, this page–this web page, this web page Dadhikrāvan within the Ṛg Veda, the identify of a regal horse, this web page Dadhyañc Son of the primordial priest Atharvan; is aware the pravargya, a rite included within the cult of the soma, this page–this web page, this web page Daityas Sons of Kaśyapa and Diti, enemies of the Devas, this web page daiva destiny, this web page Dakṣa Skillful (dexter); born from Brahmā’s correct thumb. additionally “Dakṣa was once.
culture, he prepared the texts of the Ṛg Veda and used to be writer of the Mahābhārata, this web page, this page–this web page, this web page, this web page, this web page, this page–this web page, this web page, this page–this web page Wagner Richard Wagner, 1813–1883, this web page Waters Āpah, this web page, this web page White Horse Uccaiḥśravas, one of many ratnas, “gems,” that seemed in the course of the churning of the sea, this page–this web page Wind Vāyu, this web page Wittgenstein Ludwig Wittgenstein, 1889–1951, this web page Wolf’s stomach Vṛkodara;.
whilst the scattered components of the realm got here jointly like a herd in the receptacle of cognizance, which vibrated because it named, evoked, invoked. therefore did the Vedic hymns make themselves appear. No artifacts have come right down to us from the Vedic period. not anything that those that intoned the hymns of the Ṛg Veda touched with their fingers has survived. no longer only simply because wooden rots speedier in a tropical weather. no longer basically simply because they selected to not construct in stone. no longer purely simply because they made up our minds no longer.
may have despised them. yet that’s no longer the point … Let’s return to the place we have been: for these brushed by means of the wing of that notion, the realm was once almost like earlier than, not anything was once almost like sooner than. not anything might ever return to being because it were earlier than. but it isn't a spontaneous, typical inspiration. A creeping oafishness is ordinary. or even we'd occasionally need to fight to rediscover that inspiration. some distance more straightforward to consider oneself as a ghost imprisoned in a field of pores and skin and bone, surrounded.
And agreement due to the fact. Agni used to be the final of 4 brothers. 3 died earlier than him, have been misplaced. all of them suffered the affliction of being “yoked.” fireplace is ever in mourning for these brothers. first and foremost, Agni used to be extra like a secret agent than anything. Hidden away, he watched the ṛṣis’ brides approximately their baths: they shone like altars of gold, like white slivers of moon, like crests of flame. Agni inspiration: “I shouldn’t get excited and hope them. while i'm within the fireplace at domestic, i will stare upon them for.