Making Things Perfectly Queer: Interpreting Mass Culture
among ladies to build a story that passes via heterosexuality (Phyllis and Mary a s ri vals for the just-separated Mike) and bisexuality (Phyllis as being as regards to Mike and Mary simultaneously), to unravel itself a s a lesbian family sitcom narrative with Mary and Phyllis reunited and declar ing their affection for every different in Mary's kitchen. in a similar fashion, Laverne and Shirley (1976—83) usually built its lesbian narratives and queer pleasures by means of "passing via" het.
specific texts' makes use of of camp with regards to gender and s e x u a l i t y . 12 thirteen P E E - W E E ' S W O R L D yet other than Bryan Bruce's article, so much educational and renowned writing approximately Pee-wee Herman has foregrounded gender matters in a heterocentrist demeanour. that's, those articles implicitly arrange directly males and immediately ladies because the final reference issues for his or her research of gender simply because their authors do not heavily think of the prospect that the gayness, lesbianism,.
Such words as "queer positions," "queer readers," "queer readings," and "queer dis courses." In operating via my techniques on homosexual and lesbian cultural background, i discovered that whereas I used "gay" to explain details of men's tradition, and "lesbian" to explain details of women's cul ture, i used to be hard-pressed to discover a time period to explain a cultural universal floor among lesbians and gays in addition to different nonstraights — a time period representing team spirit in addition to suggesting range. For yes.
An affair with Alia Nazimova (Conversations, 170). different long inter perspectives with Cukor in books, and book-length experiences of the director containing inter view fabric, contain Charles Higham and Joel Greenberg, The Celluloid Muse: Hollywood administrators converse (New York: Signet/New American Library, 1969), 60-78; Andrew Sarris, Interviews with movie administrators (New York: Avon Books, 1967), nine 2 126; Gene D. Phillips, George Cukor (Boston: Twayne, 1982); Gary Carey, Cukor & Co.: the movies of George.
From internalizing lengthy status directly imperatives that inspire homosexual males to think about themselves as "not males" (and for this reason, by means of implication or by means of direct attribution, as being like "women"), or from a point of negotia tion among those approaches, are on the heart of the homosexual tradition cults outfitted round the enforcing, magnificent ladies stars of opera (Maria Callas, Joan Sutherland, Beverly Sills, Renata Scotto, Teresa Stratas, Leontyne Price), theater (Lynn Fontanne, Katharine Cornell,.