The Sounds of Milan, 1585-1650
Robert L. Kendrick
during this ebook, a follow-up to his 1996 monograph Celestial Sirens, Robert Kendrick examines the cultural contexts of tune in early-modern Milan. This ebook describes the church buildings and palaces that served as functionality areas in Milan, analyzes the facility buildings within the urban, discusses the devotional rites of the Milanese, and explores the connections between urban politics, city-scape, and music.
Ligatures, within the 7th tone; and I’d prefer to make a fugue like a capriccio [pun: “a ﬂight at will’]. i urge you, Cingardi and Cingardetto, and also you, Signor Ottavio Nicorin, Messers Ippolito, Battista, and the Spaniard; farewell, Sargent the violinist, and also you, Messer Geronimo del cornetto, let’s exit to the Duomo’s steps, so shut; enable those different boys be certain and installed felony, in the event that they wish. Hurry, men, let’s get out of the following, i do know what I’m announcing, there’s no time to lose in chatter, or.
The Duomo 403 E. ranking, Keyboard, and Basso components in Milanese Prints, 1596–1617 Notes 409 Bibliography 501 Index 515 406 illustrations 1.1 1.2 2.1 2.2 2.3 2.4 2.5 2.6 2.7 2.8 2.9 2.10 2.11 3.1 3.2 5.1 5.2 5.3 9.1 Marc’Antonio Baratieri, Plan of Milan, 1629 12 G. B. Lampugnani, View of Milan, 1640 thirteen nameless, Cardinal Federigo Borromeo Preaching in Milan Cathedral, ca. 1620 30 Melchiorre Gherardini, front of the Cardinal-Infant Ferdinand to the Duomo, 1633 38 Federico Zuccari, St. Agatha.
And Ambrogio Figino, then quickly ﬁnished by way of Camillo Procaccini.118 figure 2.3 Federico Zuccari, St. Agatha Visited through St. Peter in criminal, 1597 (Milan, Cathedral; by means of permission of the Veneranda Fabbrica del Duomo, Milan) forty example 2.1 C &C ˙ w et T Giulio Cesare Gabussi, Beata Agata a three (1608), mm. 16–27 di - - ?C w Ó ˙ w et di T V ˙. di B - ? ˙ um, w - xit: - - ˙ w et di - w & Ó ˙ œ œ n˙ V #w ne ? w B ˙ qui ∑ De - De - "Do ˙ Ó ˙ xit: "Do sti vin-ce -.
Monteverdi, invoked a number of cosmological parts: “O shining stars, the adorns of the heavens, who remove darkness from the blind darkness; O natural sunlight, O moon, O kindly photos of Him Whom i like, of Him Who made you and bid you shine; bless God, and compliment Him Who gave pride to you and beauty in your paths; compliment Him for all eternity.”41 Coppini outfitted this article round the lover’s direct tackle to the celebs (“O immagini belle” replaced to “O imagines almae”). in comparison with a few of the.
merely unusable outdoor the diocese, but in addition strongly institution-speciﬁc. definitely so much different Ambrosian church buildings didn't have the assets to accomplish their contents, and in that experience they symbolize an exception to the overall liturgical standardization crusade. therefore the books functioned actually as thoughts of the cathedral and its ceremony. to appreciate the contents of the variation calls for a few explication of the liturgical info. The Lucernarium textual content consisted of an antiphon and verse, each one.